Pitt returned to London with a test pressing of TheVelvet Underground and Nico that his young charge promptly appropriated in every sense of the word. Among the first was a young David Bowie, whose early manager Ken Pitt had art-world connections and met with Warhol and Reed at the former's famous studio The Factory during a November 1966 trip to New York. It has spawned multiple generations of obsessives and influencees. It's the first album to truly combine a novelist's gritty realism with equally confrontational rock music, yet it's also a fount of soft, vulnerable songs like "Femme Fatale" and "I'll Be Your Mirror" - songs that are all the more poignant because you can sense, somehow, that the sensitive soul who wrote them is also kind of an asshole.Ī detail of Satlof's collection of Velvet Underground records and ephemera. 13 on Rolling Stone's 2012 "500 Greatest Albums of All Time" tally. But the world eventually caught up with it, and for the past 30 years it's had perennial placement on best-ever lists, including No. 171 on Billboard's albums chart in December 1967. With a near-peerless collection of songs - nearly all written by frontman Lou Reed - and an iconic, banana-sticker cover designed by band benefactor Andy Warhol, this jarring and innovative collection was initially a cult success at best, with no hit singles and a "peak" of No. The Velvet Underground and Nico, released 50 years ago tomorrow (there is actually some disagreement on the exact date), is the definitive way-ahead-of-its-time album. This was Mark's first collected record, and it features a signature from Lou Reed. A record from Mark Satlof's collection of Velvet Underground records and ephemera.
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